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Combining stimulating stories with stylish graphic art, manga - Japanese comic books -

have for the past several decades tickled the sensibilities of readers, with ramifications

more profound than one might imagine. Not only do manga comprise a whopping 40% of

the contemporary Japanese publishing industry, their influence also extends to other

forms of mass media—anime, novels, television dramas, games, movies, merchandise—

and even to the formation of social values and practices. As a core component of the

“Cool Japan” mystique that the Japanese government has promoted to enhance its soft

power, manga have now been officially embraced as a defining element of contemporary

Japan. While traditionalist critics may dismiss them as derivative, formulaic, superficial, or

grossly commercial, the very lightness, ease of reading, and familiarity of repetition in

manga comprise part of their charm, and the bewitching effect of that appeal deserves

serious consideration.

To what should we attribute the widespread and powerful allure of manga? Does it derive

from long enduring Japanese pictorial practices, or is it a modern Japanese version of a

Western form? The answer is complicated by the fact that the term “manga” itself has had

shifting definitions since its emergence in the 1790s, and has been confusingly applied to

various types of visual materials, from pictorial miscellanies to satirical political cartoons

to comic strips. Competing histories of manga are thus shaped largely by different

interpretations of the term. For some, defining manga broadly as spontaneous, playful

drawings, the genre goes back to the Frolicking Animals scrolls of the 12th century. For

others, narrowly defining manga by their contemporary form as comic books, they are

strictly a postwar phenomenon, more directly influenced by American popular culture than

Japanese art history. While the rich background of visual narratives in Japan deserves

careful consideration as context, this exhibition focuses mainly on manga in their

contemporary form as Japanese comic books, in which American influence predominates.